No Country For Old Men


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On 06.04.2020
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No Country For Old Men

No Country for Old Men ist ein US-amerikanischer Spielfilm von Ethan und Joel Coen aus dem Jahr mit Tommy Lee Jones, Javier Bardem und Josh Brolin​. No Country for Old Men. USA, FilmThriller. Ein Mann findet Millionen Dollar Drogengeld in einem Koffer und hat bald jede Menge Probleme. Mit der Adaption von Cormac McCarthys Roman No Country for Old Men kehren Joel und Ethan Coen zu ihren kreativen Wurzeln zurück. In bester Blood.

reiner Mainstream

In No Country for Old Men flieht Josh Brolin vor Javier Bardem, dem organisierten Verbrechen und der Polizei, weil er zwei Millionen Dollar an sich. No Country for Old Men. USA, FilmThriller. Ein Mann findet Millionen Dollar Drogengeld in einem Koffer und hat bald jede Menge Probleme. Filmhaus - Mainzer Str. 8, Saarbrücken: No Country for Old Men | Aktuelles Kinoprogramm, Kino, Film- und Kino-Infos, Online-Tickets, News, Events und.

No Country For Old Men Synopsis et détails Video

No Country For Old Men Coin Toss HD

Im Hotel öffnet Chigurh die Tür zu Moss' Zimmer mit dem Bolzenschussapparat und trifft Moss, der hinter der Tür mit seiner Schrotflinte im Anschlag wartet, nachdem er den Peilsender entdeckt hat, an der Schulter. Deutscher Titel. Wieder an anderer Stelle beobachtet der Kriegsveteran Llewelyn Moss Josh Brolin einen geplatzten Drogendeal, bei dem sich die Beteiligten gegenseitig erschossen Maneater. Obwohl der Film in den achtziger Jahren Sygic Gps Navigation Offline, beginnt er wie ein Western, indem auch das Gesetz vor der Gewalt resigniert. Following an electronic tracking device hidden in the money, Chigurh goes to Moss's motel room and kills Fernando Trueba group of Mexicans, who are waiting to ambush Moss, with his shotgun. Soon after, he is hit by a car, which leaves him severely injured, but still alive. I know I was. NO COUNTRY FOR OLD REVIEWERS Rayner took the bolt of the Uzi and slid the firing pin on. Well yo NO COUNTRY FOR OLD REVIEWERS Rayner took the bolt of the Uzi and slid the firing pin Jonny Juergens. Yes No Report this. Llewelyn finds Gestrandet Filme takes a satchel full of money from the shootout site. Vancouver Film Critics Circle Award for Best Film. Ed Tom Bell Javier Bardem He unzipped his Wranglers. Said he was goin' to hell. The Lady Movie4k Tw Deutsch the Dale.
No Country For Old Men

Derzeit bleibt No Country For Old Men abzuwarten, Auskunft darber zu verlangen, wie z. - Aktuell im Streaming:

Deine E-Mail-Adresse. Im Jahr im US-Bundesstaat Texas wundert sich Sheriff Ed Tom Bell über das gewalttätige Verhalten der heutigen Gesellschaft. Gleichzeitig bricht der Auftragskiller Anton Chigurh aus dem Gefängnis aus. Wieder an anderer Stelle beobachtet der. No Country for Old Men ist ein US-amerikanischer Spielfilm von Ethan und Joel Coen aus dem Jahr mit Tommy Lee Jones, Javier Bardem und Josh Brolin​. No Country For Old Men. ()IMDb 8,11 Std. 57 MinX-Ray Bei der Antilopenjagd im Südwesten von Texas entdeckt Llewelyn Moss die Leichen. In No Country for Old Men flieht Josh Brolin vor Javier Bardem, dem organisierten Verbrechen und der Polizei, weil er zwei Millionen Dollar an sich.

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Das kommt auf deren Erwartung an. No Country For Old Men (5,) IMDb 2h 2min X-Ray R A man takes $2 million cash from the scene of a desert shootout, and is pursued by the local sheriff and a psycho-killer hit man. Winner of 4 Oscars, including Best Picture, Best Supporting Actor (Bardem), Best Director. No Country in for Old Men is a bloody and bold novel. The story takes place in Texas in The plot concerns a young man named Moss who comes across a bloody crime scene in the desert. He discovers several dead drug dealers and teals the millions of dollars he finds on their corpses. Directed by Ethan Coen, Joel Coen. With Tommy Lee Jones, Javier Bardem, Josh Brolin, Woody Harrelson. Violence and mayhem ensue after a hunter stumbles upon a drug deal gone wrong and more than two million dollars in cash near the Rio Grande. No Country for Old Men is, in many ways, a straightforward crime drama. It follows a man who stumbles onto a drug deal gone bad and tries to get away with a case full of money as a hitman and a. No Country for Old Men () cast and crew credits, including actors, actresses, directors, writers and more.

By the end of the film, Ed Tom is retired, his sense of law and order upended by the Moss affair, which means someone else now has to follow in his footsteps and become the next sheriff.

Whether that's his deputy Wendell or someone else, Bell will no doubt have some standing in his community as a kind of elder statesman. He's not just going to hole up in his house and never talk to anyone, so we're left to wonder: Now that his state of mind is forever changed, how will he react when the next sheriff comes asking for advice?

Will he have any wisdom to share, or does he feel that era is past for him? For much of No Country for Old Men , hitman Anton Chigurh feels like an unstoppable killing machine.

Even after Moss manages to shoot him during the firefight in Eagle Pass, Chigurh is still able to calmly and methodically stage an explosion that allows him to rob a pharmacy, then patch himself up with frightening efficiency and care.

By the end of the film we feel that even if other characters manage to hurt him, they can't stop him.

But Chigurh is brought low in the final minutes, not by a bullet, but by a car accident that breaks his arm and leaves him bloodied and hobbled in the middle of an Odessa neighborhood.

When we last see him, Chigurh has just bribed a group of boys to keep their mouths shut — but do we really believe they'll never tell a soul?

Is this accident the thing that finally makes Chigurh vulnerable enough to be brought down, or will he simply set his own arm and live to kill another day?

The car accident seems to be the only thing that truly rattles him in the whole film, so it's hard to tell. We watch as the money changes hands from the dead drug dealers to Llewelyn Moss , and then finally end up with Anton Chigurh, who takes it from Moss' hotel room after killing him.

So, what happens to the money after that? We know that a tracking device was placed in it from the very beginning to keep tabs on its whereabouts, but Moss destroyed that.

We also know that Chigurh was still able to hunt Moss down without the tracker, and Chigurh didn't exactly disappear quietly.

Will his surviving former employers still manage to track him down, or will Chigurh use the money just enough to make himself disappear?

He further added that "we couldn't conceive it, sort of soft pedaling that in the movie, and really doing a thing resembling the book Los Angeles Times critic Kenneth Turan commented on the violence depicted in the film: "The Coen brothers dropped the mask.

They've put violence on screen before, lots of it, but not like this. Not anything like this. No Country for Old Men doesn't celebrate or smile at violence; it despairs of it.

But it's also clear that the Coen brothers and McCarthy are not interested in violence for its own sake, but for what it says about the world we live in As the film begins, a confident deputy says I got it under control, and in moments he is dead.

He didn't have anywhere near the mastery he imagined. And in this despairing vision, neither does anyone else. NPR critic Bob Mondello adds that "despite working with a plot about implacable malice, the Coen Brothers don't ever overdo.

You could even say they know the value of understatement: At one point they garner chills simply by having a character check the soles of his boots as he steps from a doorway into the sunlight.

By that time, blood has pooled often enough in No Country for Old Men that they don't have to show you what he's checking for. Critic Stephanie Zacharek of Salon states that "this adaptation of Cormac McCarthy 's novel touches on brutal themes, but never really gets its hands dirty.

The movie's violence isn't pulpy and visceral, the kind of thing that hits like a fist; it's brutal, and rather relentless, but there are still several layers of comfortable distance between it and us.

At one point a character lifts his cowboy boot, daintily, so it won't be mussed by the pool of blood gathering at his feet No Country for Old Men feels less like a breathing, thinking movie than an exercise.

That may be partly because it's an adaptation of a book by a contemporary author who's usually spoken of in hushed, respectful, hat-in-hand tones, as if he were a schoolmarm who'd finally brought some sense and order to a lawless town.

Ryan P. Doom explains how the violence devolves as the film progresses. The strangulation in particular demonstrates the level of the Coens' capability to create realistic carnage-to allow the audience to understand the horror that violence delivers.

Chigurh kills a total of 12 possibly more people, and, curiously enough, the violence devolves as the film progresses. During the first half of the film, the Coens never shy from unleashing Chigurh The devolution of violence starts with Chigurh's shootout with Moss in the motel.

Aside from the truck owner who is shot in the head after Moss flags him down, both the motel clerk and Wells's death occur offscreen.

Wells's death in particular demonstrates that murder means nothing. Calm beyond comfort, the camera pans away when Chigurh shoots Wells with a silenced shotgun as the phone rings.

He answers. It is Moss, and while they talk, blood oozes across the room toward Chigurh's feet. Not moving, he places his feet up on the bed and continues the conversation as the blood continues to spread across the floor.

By the time he keeps his promise of visiting Carla Jean, the resolution and the violence appear incomplete. Though we're not shown Carla Jean's death, when Chigurh exits and checks the bottom of his socks [boots] for blood, it's a clear indication that his brand of violence has struck again.

Richard Gillmore states that "the previous Coen brothers movie that has the most in common with No Country for Old Men is, in fact, Fargo In Fargo there is an older, wiser police chief, Marge Gunderson Frances McDormand just as there is in No Country for Old Men.

In both movies, a local police officer is confronted with some grisly murders committed by men who are not from his or her town.

In both movies, greed lies behind the plots. Both movies feature as a central character a cold-blooded killer who does not seem quite human and whom the police officer seeks to apprehend.

Joel Coen seems to agree. In an interview with David Gritten of The Daily Telegraph , Gritten states that "overall [the film] seems to belong in a rarefied category of Coen films occupied only by Fargo , which Joel sighs.

There are parallels. The similarity to Fargo did occur to us, not that it was a good or a bad thing. That's the only thing that comes to mind as being reminiscent of our own movies, [and] it is by accident.

Richard Corliss of Time magazine adds that "there's also Tommy Lee Jones playing a cop as righteous as Marge in Fargo ", [72] while Paul Arendt of the BBC stated that the film transplants the "despairing nihilism and tar-black humour of Fargo to the arid plains of Blood Simple.

Some critics have also identified similarities between No Country for Old Men and the Coens' previous film Raising Arizona , namely the commonalities shared by Anton Chigurh and the fellow bounty hunter Leonard Smalls.

Although Paul Arendt of the BBC finds that " No Country For Richard Gillmore, it "is, and is not, a western. It takes place in the West and its main protagonists are what you might call westerners.

On the other hand, the plot revolves around a drug deal that has gone bad; it involves four-wheel-drive vehicles, semiautomatic weapons, and executives in high-rise buildings, none of which would seem to belong in a western.

William J. Devlin finesses the point, calling the film a "neo-western", distinguishing it from the classic western by the way it "demonstrates a decline, or decay, of the traditional western ideal The moral framework of the West The villains, or the criminals, act in such a way that the traditional hero cannot make sense of their criminal behavior.

Deborah Biancott sees a "western gothic The wanderer, the psychopath, Anton Chigurh, is a man who's supernaturally invincible.

Even the directors have weighed in. Joel Coen found the film "interesting in a genre way; but it was also interesting to us because it subverts the genre expectations.

Gillmore, though, thinks that it is "a mixing of the two great American movie genres, the western and film noir," which "reflect the two sides of the American psyche.

On the one hand, there is a western in which the westerner is faced with overwhelming odds, but between his perseverance and his skill, he overcomes the odds and triumphs.

In film noir, on the other hand, the hero is smart more or less and wily and there are many obstacles to overcome, the odds are against him, and, in fact, he fails to overcome them.

This genre reflects the pessimism and fatalism of the American psyche. With No Country for Old Men , the Coens combine these two genres into one movie.

It is a western with a tragic, existential, film noir ending. One of the themes in the story involves the tension between destiny and self-determination.

According to Richard Gillmore, the main characters are torn between a sense of inevitability, "that the world goes on its way and that it does not have much to do with human desires and concerns", and the notion that our futures are inextricably connected to our own past actions.

Llewelyn Moss Josh Brolin wavers between immoral behavior such as taking money that doesn't belong to him, refusing to involve the police and placing his family in grave danger, and moral acts of courage such as returning to the scene of the shootout to give a dying man water, separating himself from his family and refusing the advances of a comely woman at a motel demonstrating a flexibility of principle, as well as desire to escape consequences and a fierce will to survive at all costs.

Anton Chigurh is the most amoral, killing those who stand in his way and ruling that a coin toss decides others' fate.

The third man, Sheriff Ed Tom Bell, believes himself to be moral, but feels overmatched, however stalwart he might personally be, against the depravity that surrounds and threatens to overwhelm him.

Not only behavior, but position alters. One of the themes developed in the story is the shifting identity of hunter and hunted.

Scott Foundas stresses that everyone in the film plays both roles, [81] while Judie Newman focuses on the moments of transition, when hunter Llewelyn Moss and investigator Wells become themselves targets.

The story contrasts old narratives of the "Wild West" with modern crimes, suggesting that the heroes of old can at best hope to escape from rather than to triumph over evil.

Devlin explores the narrative of Sheriff Ed Tom Bell, an aging Western hero, symbolic of an older tradition, who does not serve an underpopulated "Wild West", but an evolved landscape with new breeds of crime which baffle him.

The reception to the film's first press screening in Cannes was positive. Screen International ' s jury of critics, assembled for its daily Cannes publication, all gave the film three or four marks out of four.

The magazine 's review said the film fell short of 'the greatness that sometimes seems within its grasp'. But it added that the film was 'guaranteed to attract a healthy audience on the basis of the track record of those involved, respect for the novel and critical support.

The film subsequently increased the number of theaters to 2, It was the 5th highest ranking film at the US box office in the weekend ending December 16, No Country for Old Men is the third-lowest-grossing Oscar winner, only surpassing Crash and The Hurt Locker Buena Vista Home Entertainment released the film on DVD and in the high definition Blu-ray format on March 11, in the US.

The only extras are three behind-the-scenes featurettes. Website Blu-ray. It stated that "with its AVC MPEG-4 video on BD, the picture quality of No Country for Old Men stands on the highest rung of the home video ladder.

Color vibrancy, black level, resolution and contrast are reference quality Every line and wrinkle in Bell's face is resolved and Chigurh sports a pageboy haircut in which every strand of hair appears individually distinguishable.

No other film brings its characters to life so vividly solely on the merits of visual technicalities Watch the nighttime shoot-out between Moss and Chigurh outside the hotel As bullets slam through the windshield of Moss's getaway car, watch as every crack and bullet hole in the glass is extraordinarily defined.

The audio quality earned an almost full mark, where the "bit 48 kHz lossless PCM serves voices well, and excels in more treble-prone sounds Perhaps the most audibly dynamic sequence is the dawn chase scene after Moss returns with water.

Close your eyes and listen to Moss's breathing and footsteps as he runs, the truck in pursuit as it labors over rocks and shrubs, the crack of the rifle and hissing of bullets as they rip through the air and hit the ground Kenneth S.

Brown of website High-Def Digest stated that "the Blu-ray edition of the film However, to my disappointment, the slim supplemental package doesn't include a much needed directors' commentary from the Coens.

It would have been fascinating to listen to the brothers dissect the differences between the original novel and the Oscar-winning film.

It may not have a compelling supplemental package, but it does have a striking video transfer and an excellent PCM audio track.

The Region 2 DVD Paramount was released on June 2, The film was released on Blu-ray Disc in the UK on September 8, A 3-disc special edition with a digital copy was released on DVD and Blu-ray on April 7, It was presented in 2.

This release included over five hours of new bonus features although it lacks deleted scenes and audio commentary. The website's critical consensus reads, "Bolstered by powerful lead performances from Javier Bardem, Josh Brolin, and Tommy Lee Jones, No Country for Old Men finds the Coen brothers spinning cinematic gold out of Cormac McCarthy's grim, darkly funny novel.

Javier Bardem, in particular, has received considerable praise for his performance in the film. Peter Bradshaw of The Guardian called it "the best of the [Coens'] career so far".

Richard Corliss of Time magazine chose the film as the best of the year and said that "after two decades of being brilliant on the movie margins, the Coens are ready for their closeup, and maybe their Oscar ".

Liz Hoggard. Played by Spanish actor Javier Bardem, Chigurh is the most original bogeyman to bloody up the screen in a while.

Tom Charity. The last word on the modern-day western used to be Peckinpah's. No Country for Old Men is Peckinpah gone post-Peckinpah.

Nigel Andrews. I can't help feeling the film is ultimately hollow. Jonathan Romney. An exasperating and self-defeating experience, rather like listening to a nymphomaniac extol the virtues of celibacy.

Ryan Gilbey. Relentless in method, challenging in presentation, and unforgettable in execution. Mike Massie.

No Country for Old Men draws its characters as broad representations of human morality, which makes them all the more compelling. Leigh Monson. The greatest films are such a force of life and death, love and hate that once the closing credits begin to roll, the film's cinematic life has just begun.

Richard Propes. The Coen brothers deliver one hell of a modern western, with themes that resonate and characters that won't let you forget them.

Fico Cangiano. The Coen Brothers honor McCarthy by reproducing whole chunks of dialogue from the book, and judiciously trimming plot.

Jones' plaintive mourning for a country that's become too complicated to police is enough for us to know why he's packing it in. David Lamble.

With very little dialogue, Bardem is an imposing, evil presence who makes every scene he is in a white-knuckle moment.

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Si vous aimez ce film, vous pourriez aimer Jusqu'au dernier. Film vraiment pas mal lorsqu'on rentre bien dedans!

Par contre la transaction tourne mal entre qui est qui? Pour moi leur meilleur est clairement celui ci Et l'absence de toute bande son est un choix judicieux.

Bref, vraiment bien. Un simple regard et on sait qu'il est fou. Pour ma part, leur meilleur restera toujours O'Brother.

Excellent film. Later, Sheriff Bell goes to the hospital to identify Moss' body, murdered by a band of Mexicans who were also after the drug deal cash.

Later that night, Chigurh arrives at the scene and retrieves the satchel from the air duct in Moss' room. He returns it to its owner and later travels to Carla Jean's house.

She pleads for her life and he offers her to flip a coin to decide her fate, but she loses and Chigurh shoots her. He leaves the house after.

Soon after, he is hit by a car, which leaves him severely injured, but still alive. After bribing a pair of teenagers to remain silent about the car accident, he limps off down the road.

After a long investigation that fails to locate Chigurh, Bell decides to retire and drives away from the local courthouse feeling overmatched and defeated.

At the end of the book, Bell describes two dreams he experienced after his father died. In one, he met his father in town and borrowed some money from him.

In the second, Bell was riding his horse through a snow-covered pass in the mountains. As he rode, he could see his father up ahead of him carrying a moon-colored horn lit with fire, and he knew that his father would ride on through the pass and fix a fire out in the dark and cold and that it would be waiting for him when he arrived.

The early critical reception of the novel was mixed. William J. Cobb, in a review published in the Houston Chronicle July 15, , characterizes McCarthy as "our greatest living writer" and describes the book as "a heated story that brands the reader's mind as if seared by a knife heated upon campfire flames".

In contrast, literary critic Harold Bloom does not count himself among the admirers of No Country for Old Men , stating that it lacked the quality of McCarthy's best works, particularly Blood Meridian , and compared it to William Faulkner 's A Fable.

No Country for Old Men, Cormac McCarthy No Country for Old Men is a novel by American author Cormac McCarthy who originally wrote the story as a screenplay. The story occurs in the vicinity of the United States–Mexico border in and concerns an illegal drug deal gone awry in the Texas desert back country/5(K). No Country for Old Men - Non, ce pays n'est pas pour le vieil homme est un film réalisé par Joel Coen et Ethan Coen avec Tommy Lee Jones, Javier Bardem.4/5(K). 3/23/ · 3/23/ · No Country for Old Men is, in many ways, a straightforward crime drama. It follows a man who stumbles onto a drug deal gone bad and tries to get away with a case full of money as a hitman and a.
No Country For Old Men Chavez Dennis Collins Not only behavior, but position alters. Christianity Today.

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